Tying Atlantic Salmon and Spey Flies, Materials

Materials, tools and other stuff

You have more than likely heard that tying the fully
dressed Atlantic Salmon Flies costs both arms, legs
and, your first born child. That is not necessarily
true although, if you find that you like tying these
flies, the chances are that you will invest fairly to
very substantial amounts of money over time. To begin
though, modest investments are all that are required.
Actually, you may already have materials to tie decent
Atlantic Salmon Flies! For all but the Fully dressed
flies, simple and, readily available materials will do.

A great number of common materials will be useful like,
Bucktail dyed & natural, Fox tail dyed and natural, Squirrel
tail of various types, Bear, Coyote, Wolf, Fox, Deer, Elk,
Moose, Badger and so on. Useful feathers in addition to some
of the standard capes and saddles used in our other tying
include schlapen, cheap necks & saddles, Ostrich dyed and
natural, Ringneck, Golden and Amherst Pheasant, Ruffed Grouse,
Sharp Tailed Grouse, any number of Ducks, Quail, Partridge,
Starling, dyed Goose shoulders, burned Goose, Peafowl, Turkey
and, so on.

Then, there are the more exotic materials. It is impossible
to list or describe all of the feathers and furs that are
fair game for tying. Some of these can literally be worth
many their times their weight in gold. Some feathers that
were used in the past simply aren’t available at any price
so, for those, we must use substitutes. Just a tiny number
of different exotic birds and mammals that provide wonderful
tying materials include, Monkey, Wolverine, Baboon, Polar
Bear, Penguin, Lilac Breasted Roller, Kingfisher, Heron,
Bitterns, Storks, Ibis, Vultures, Eagles, Swan, Black Francolin,
Grey and Green Junglefowl, Vulturine Guineafowl, various Bustards,
Parrots, Trogons, Toucans, Contingas, Pittas, Minivets, Birds of
Paradise, Eurasian Jay and, on and on. Some of these birds and
mammals are now illegal or so rare as to be not available at any
price.

You can occasionally find wonderful feathers and fur from old
clothing at second hand stores, antique shops, garage sales,
estate sales and through your friends. I can’t begin to list
all of the great and sometimes very rare materials I have found
through these avenues at very little cost. Let your friends and
relatives know that you are always looking for unusual (and,
not so unusual) feathers and fur. If they hunt or have pet
birds and, don’t tie, they would welcome someone taking the
feathers and fur that otherwise would have been thrown away.

Keep in mind that the early Tyers of the Classic Atlantic
Salmon Flies used available materials. It was during a time
when explorers were sending countless numbers of newly discovered
life forms from new countries back to England. I have no doubt
that they would have not hesitated to substitute and use available
materials we now have. This is particularly true since even the
most complicated and exotic of Salmon flies were tied to use for
fishing. In fact, many of the early authors of the day, suggested
alternative materials on many of their flies. Of course now, with
the costs of some of the materials, most of our fully dressed flies
are destined to be for display only. Having said that, there are a
few souls tying these flies to fish and, I save my poorly tied flies
for that purpose as well.

One thing I have found to be true for tying these flies is that
there is nothing like using the very best quality fur and especially,
feathers you can find. Trying to make substandard materials behave
can be frustrating at best and, impossible at worst. Buying low
quality materials will only result in a collection of a lot of
unusable stuff. I recommend looking at as many materials as
possible to select the best you can find and your budget will
allow. If it isn’t possible to hand select materials, tell
the shop what your requirements are so they can select for
that purpose.

I will try to give suggestions for alternate materials when
individual patterns are covered in detail.


Once you begin to collect rare feathers and fur, you will need
to protect them from insect damage. I have seen boxes of what
had been wonderful Parrot feathers reduced to dust by bug
infestations. You must be disciplined in your bug prevention
when you have potentially thousands of dollars worth of expensive
materials. I follow a ritual almost religiously, that includes
regular bug bombings every couple of months. I never mix new stuff
with my inventory until it has been in quarantine for at least a
month with bug spray and moth crystals (the kind that kills rather
than repels. Make sure it contains Paradichlorobenzene. I do also
use the moth balls that repel. You can’t be too careful). Other
methods for bug protection are used by some Tyers. These include
flea collars, Cedar chips, freezing and microwaving. I personally
would not rely on those methods particularly the latter three.
Freezing and/or microwaving is no guarantee that it will kill
insect eggs. In fact, the microwave can have no effect on adult
insects if they are small enough! I know insect spray and the
Paradichlorobenzene moth crystals will kill the material eating
insects so, that is why I use what I do. Everything is in zip
loc-bags and the bags in clear plastic boxes that have some of
the moth crystals in them. I have the boxes segregated by type
of material and the contents on the box. My Parrot feathers for
example are listed by color and are segregated by size in the
bags. I keep all of my materials in one room and have the bulk
of the stuff in large boxes and smaller “working” size pieces
in the smaller boxes. For instance, when I get a whole skin say
of a Deer, I will cut small pieces from all of the different
areas of the hide. When I pluck a bird skin, I will match all
of the potential feathers that could be used for full featherwings,
sides or cheeks on flies. I will pluck Golden Pheasant crests and
segregate them by size. I spend countless hours with material prep
but, when I sit down to tie something, I can go to the exact box
where the material I need is and, it is usually ready to use. That
means, the feathers are likely cleaned by a good washing. I have
a couple boxes that contain thousands of pairs of feathers that
are clean, straight, matched and, ready to tie on a fly.

I realize to many, this kind of organization may seem unnecessary
or even sick. Be that as it may, the time I spend cleaning,
sorting and preparing my materials, makes my time at the vise
enjoyable.

I mentioned washing earlier, 99.9% of the feathers and fur will
be improved by a good washing in a warm soapy bath. You may
think you have gone off the deep end and ruined a bird skin
by washing but, once it is dry, you will be pleasantly rewarded.

Just a quick wash will do. I dry the skin with a hair dryer
usually. Sometimes though, I will lay them on screens in
front of a large box fan. A Pheasant skin will dry this
way in less than an hour.

A note on feather durability. A bird’s feathers must be strong,
resilient and, durable in order for the bird to live a normal
lifetime. Neither water or, crumpling the feathers can do
permanent damage or, that individual will be a genetic dead
end. Most of us know that steaming a ruffled fly can “refresh”
it. What some of you may not realize is that badly soiled or
crumpled feathers can be restored to new or, near new condition
simply by soaking them in water for a minute or two.

A few years ago, I was given a bunch of Macaw tail feathers
that had been really banged up by rubbing against the bird’s
cage. A few of them looked for all purposes to be beyond use.
Before I tossed them out, I figured I would throw them in a
warm soapy bath along with the good feathers. To my delight,
once they came out of the bath and dried, they looked perfect!

Two things to remember about feathers, are that the damaged
and/or twisted feather will try to return to it’s undamaged
state when wet and, when wet, a feather’s web looses most of
it’s strength. Do this little experiment. Take most any feather
and crumple it between your hands. Now, put it into or, under
warm running water and watch what happens by the time it dries.

Tools:

Some tools I find helpful for tying are as follows:


Various pliers used for making hooks. Top to bottom, two large pairs
of smooth faced (except the very tips) pliers I found at Sears,
bottom three are different shapes of Dental wire bending pliers.- Pliers I use several different pliers for different
uses. I will endeavor to explain the different uses when they
are used the first time for a new pattern. Many of my pliers
are originally Dental tools. Mostly, you will want smooth face
pliers so you don’t damage materials.

  • Floss Burnisher Several different materials can be
    used to fashion a burnisher. I made one from a Dental tool and
    is of polished stainless steel. You can find burnishers at art
    supply stores as well.


    Left to right, floss burnisher made from a Dental tool, fine dental
    pic shaped to use as a hot glue tool. tweezers shaped to slightly
    bend feather barb, three smooth faced Dental pliers I use for smashing
    bumps in bodies and feather shafts.

  • Nor-Automatic Bobbin This is one of the best tools
    I own. In fact, I have three on my bench loaded with different
    threads. If you use a rotary vise and a bobbin cradle, you no
    doubt have thought it would be nice not to have to spend all
    the time rewinding the thread after every step. The Nor-Automatic
    Bobbin rewinds the thread for you! I’d be lost without mine.

  • Nor-Vise Not all vises are created equal. It is
    true that most vises available to us today are quality tools.
    It is also true that we could adapt to using just about any
    vise. There are no perfect vises on the market, the Nor-Vise
    included. Every vise design has it’s strong points and, weak
    ones. It is a matter of compromise like most things in life.
    The Nor-Vise works much like a lathe. The hook rotates on the
    hook shank axis like any number of other rotary vises. It does
    one thing the others don’t. It spins! It can be spun fast which
    allows the Tyer to do several things on this vise that either
    can’t be done on others or is impossibly difficult. Dubbing is
    one of those things that the Nor-Vise does that is amazing. With
    the spinning action, you place the bobbin in the cradle and catch
    a couple fibers between the thread and hook shank. The turning
    thread/hook then twists the dubbing around the thread without
    your fingers ever touching the thread. It is best seen and hard
    to describe.


    Floss work is also a breeze with the Nor-Vise or, I expect with
    most rotary vises because you don’t have to let go of the
    floss or, change hands as you wrap it. This minimizes the
    chance of fraying the fragile floss and, help make smoother
    floss bodies. Ribbing is also easier to make it even for the
    same reasons.

    The bottom line on what kind of vise will be best is that
    you will adapt to just about any of the current well-made
    rotary vises. If you are thinking about getting a new vise,
    try as many as you can find in local shops and talk to others
    to see what their views are.- Lighting Good strong lighting will help you tie
    better and do so with less stress to your eyes. I use a 100W
    Halogen flexible arm light over my vise. It throws out an
    amazing amount of light that allows it to be moved far enough
    away so the heat isn’t a problem. It also lights a large area
    on my tying bench.

    • Good seating is another good tool that will help you
      tie in comfort for extended periods of time. I use a well padded
      office chair that has adjustable arm rests and adjustable seat
      and back. You can change the various angles you sit at to minimize
      back pain. I also find the arm rests extremely useful for resting
      my elbows on to take pressure off my shoulder and neck muscles.

    • Music is also a relaxing addition to my tying but
      it is a personal thing. I like hard pounding blues best but,
      most any music will do.

    • Sandpaper I use a medium grit sanding pad to smooth
      the tips of my fingers when doing floss work. My hands are
      pretty rough from work and floss will fray with little effort.
      So, I sand the tips of my fingers and then wash them. Any oils
      on your hands will instantly be picked up by the floss and ruin
      it’s sheen. You can also use a cuttle stone or other abrasive
      surface. Cotton or Silk gloves are also used by some Tyers but,
      I find them distracting and unnecessary if I follow my routine
      of sanding and washing. If you are looking for the gloves, try
      a well stocked photography store that caters to the more
      professional photographers.

    • Small fairly stiff paint brushes You can use these
      to move parts on the fly like to remarry barbs that may have come
      apart and, other such things. Sizes I find useful are a tiny
      #00000 and #2.

    • Dental picks can be useful and modified to suit
      different uses. I took one double sided tool and flattened
      and bent the tips to use for applying hot glue to very small
      areas with precise control.

    • Tweezers are essential tools on my bench. I have
      several different ones for different uses. You want some that
      are fairly fine tipped. I have some VERY fine tipped tweezers
      for plucking barbs and loose strands of floss or thread. I also
      have a pair that have wide tips that I modified by filing a
      groove on one face that the opposite face goes very slightly
      into so, a material that is inserted will be very slightly
      bent. This is useful for bending hair or feather barbs when
      they are slightly out of line.

    • Scissors are an essential part of a Tyer’s tying
      kit but, you already knew that. What you may find is that
      your standard scissors while just fine for cutting most of
      your materials, they may not do a good job on some of the
      materials we will use on some of the materials on Atlantic
      Salmon flies. The area of tying you will need VERY sharp
      scissors for is trimming feathers for full feather wing
      Atlantics. In the Cheap Atlantics section I detail how
      to trim these feathers and rather than cover it here, I
      suggest you go there.

      Most scissors made for tying are pretty good for most uses.
      In fact, I have been using a cheap $5.00 pair for many years
      that were made in Pakistan which is where a large number of
      scissors are made. I have dressed the cutting surfaces a
      couple times and they are finally showing signs of the
      end of their useful life. They will still function well
      for cutting tinsel, wire and lead though.

      I recently went to a hair salon supply house with a friend
      who is a hair dresser. To see what they had in the way of
      really good scissors. What a shock. They ranged from about
      $10.00 to over $400.00! I guess $400.00 scissors wouldn’t
      be bad if you were making a living with them but, I am not
      so, rationalizing any even near that amount is a hard sell.


      Mid price salon scissors with adjustable tension and replaceable blades

      Something that sets the hair dressers scissors apart from
      most tying scissors is the shape of the cutting edges. They
      are more like knife blades than other tying scissors which
      I have found have more blunt edges.

      The hair scissors cut the areas of the full feather wing
      feathers with much less chance of the cutting edges pushing
      the barbs ahead which results in an uneven edge. What I
      did buy were a pair that retails for about $20.00 less my
      friends discount made them $10.00. They are surgical steel
      and really very smooth cutting. They have one serrated edge
      and cut hair and feathers with ease. Surprisingly, one
      thing they don’t cut well at all is the fluff at the base
      of feathers. Must have something to do with the serrations.
      I also bought a pair that retails for about $60.00 which
      has replaceable blades and, unserrated edges that are hollow
      ground. These cut silky smooth even through the feather
      fluff! With her discount the price was $40.00. I reserve
      these for trimming feathers only!


      Low price salon scissors with adjustable tension and serrated blades

      If you get into tying the full feather wing flies, a good
      pair of scissors is worth consideration. Most beauty supply
      stores do not sell to the public so, you may have to see
      if your hair dresser will go with you to pick some up.
      It is worth the hassle.

      Update 8.03

      We have all seen the name Dr. Slick in advertising and
      fly shops and they have been around for a good length
      of time. I have been seeing one of their latest ads for
      the new “Razor Scissors” for awhile so, I decided to
      contact them for more information since they look much
      like the salon scissors I use.

      I received two pair of scissors, one the 5" straight
      Razor Scissors, part #SR5G and a pair of “5 adjustable
      Tension Scissor, part #ST5G. Both pair have large finger
      holes which is a plus for guys with big fingers. Some of
      my scissors have holes so small that you almost consider
      using soap to remove them! Another feature is that both
      have a little rubber nub in the handles which cushions
      them when cutting. Both pair also have extremely fine
      tips so trimming very close is possible. I used to
      routinely grind down the tips of my other scissors
      including the salon pairs but these are fine enough
      that I will not need to.


      Dr. Slick 5” Razor Scissors with adjustable tension blades

      Immediately I went to my tying room and broke out the
      Razor Scissor, picked up a feather and trimmed it. The
      good news is that you needn’t go to a beauty supply
      store to get ultra sharp scissors to trim feathers for
      full feather wings. These scissors have almost knife
      edge cutting surfaces that are smooth. They also have
      an adjustable tension feature which allows for buttery
      smooth cutting found on the higher end hair cutting
      scissors that hair dressers use. Dr. Slick also has
      the same scissor in a 4" size. This size may be better
      used for general tying than the 5" but, for trimming
      feathers for full feather wing flies, I suggest the
      larger pair.


      Dr. Slick 5" adjustable blade scissors

      The part #ST5G has lightly serrated blades that aren’t
      quite as knife edge but are very sharp. They will
      also trim feathers well but may leave very slightly
      feathered edges. Even so, they will work very well
      for all around scissors and you could trim feathers
      for full feather wings as long as they are kept
      sharp. These scissors also have an adjustment
      feature which allows almost the same buttery
      smooth cutting. As with the Razor Scissors, you
      may want the 4" for general use and the 5" for
      trimming feathers.

      The bottom line is that both of these scissors will
      give you many years of reliable service whether you
      save them for delicate work or use them for your
      general tying.

      I will be adding to this list of tools as time goes on. When
      I use a new tool on a particular fly, I will describe it here
      and reference it when tying the fly. So, you might want to
      check back here from time to time.

      Tinsel, Floss, Thread

      Tinsel is a very important material when it comes to these flies.
      It can represent segmentation, just add some flash or, add
      character to a fly. When it comes to the fully dressed flies,
      tinsel isn’t a minor component. It is integrated into a pattern
      with care and thought. There are those rules that traditionally
      govern the use of tinsel. Even though I personally push tradition
      whenever I get the chance, I do try to maintain the link to the
      past when possible. One of the rules is to use only five turns
      of tinsel on a body. If you feel like putting six, go ahead. If
      it’s three, same thing. All I say is maintaining a resemblance
      to the flies of old gives the tying craft continuation and, the
      traditions continue to evolve. Another tinsel rule is to follow
      an oval tinsel with a body hackle. This is a good rule. The
      tinsel will help protect the hackle. Counter wrapping with
      another tinsel or wire rib will also protect the hackle. When
      I use Spey Hackles that have been stripped from the feather
      shaft, I always counter rib the flies. More on that later though.

      There are many tinsels available to us today. There is mylar and
      metallic tinsels. Round, flat, oval, flat oval, round, twist,
      embossed, holographic, red, green, blue and on and on. There are
      tinsels from France, India, Canada, Germany and, on and on.

      I guess if Tyers were polled as to the best tinsels, the ones
      made in France by Lagartun would likely win. My choice for most
      of my tinsel is from UNI-Products in Canada. They are an innovative
      company, are responsive to Tyers needs and, their selection is
      good and fairly priced.

      One last thing about tinsels. I know just about every Tyer ends up
      at a craft store at some time in his/her tying career. You will be
      tempted to buy the various craft tinsels thinking you can save some
      money. So did I. Overall, a very high percentage of the stuff I
      have gotten at craft stores ends up being substandard and useless.
      Particularly if you tie presentation flies, the craft tinsel will
      not work. The problem with most of it is that once it is wrapped,
      the metallic outer shell separates and the thread core will show
      through. It will happen even with the best tinsels but, since they
      have been created for our tying specifically, they do it less.

      Floss

      Like every other material for tying, we have many choices with floss
      too. The traditional floss was and, still is for that matter, Silk.
      Silk was favored originally because there weren’t synthetics in
      those days and Silk was available in any number of colors. There
      is no denying that Silk is a beautiful material to tie with but,
      I prefer to use single strand UNI-Floss for most of my floss work.
      It is a synthetic so, it is strong, is very shiny (which I like),
      has a very good range of colors and, is less likely to fray when
      using it. A little tip for adding brightness to light colored
      flosses is to lay down a bed of flat silver tinsel prior to
      applying your floss. Flat mylar tinsel is very thin so, little
      bulk is added by addition of the tinsel. The first photo below
      shows a black hook with yelow floss with a combination of white
      thread, no thread and, flat silver tinsel under the floss. Notice
      the rear 1/3 where the thite thread base makes the floss a little
      brighter than the middle 1/3 which has nothing but the yellow floss over
      the black hook (The same as if the base were black thres) but, not
      as bright as the front 1/3 which is yellow floss over the flat silver
      tinsel. The second photo shows the yellow floss over the black
      hook with the front 1/2 which has been clear coated to show the
      effect water has on it. What I want you to be aware of is that
      the color of many of the materials we put on our flies do not remain
      the same in the water. If you are tying for display, that is one thing.
      If you are tying to fish, it is entirely a different matter. Take
      some time to look at various materials in the water so when you are
      tying to match the hatch, or just replicate some other pattern, you
      need to know and figure in the effect water will have on your finished
      flies.


      The above photo shows a black hook with yellow floss with a combination
      of white thread, no thread and flat silver tinsel under the floss.
      Yellow floss over the black hook with the front 1/2 which has been clear
      coated to show the effect water has on it.

      Using floss can drive a Tyer mad. It seems like it frays before
      you even touch it! As I mentioned in the tools section, you can
      wear gloves or at least sand and wash your hands first. The best
      trick for relatively trouble free floss is to use a rotary vise.
      When you use the rotary feature, all you do is hold the floss and
      revolve the hook while you guide the floss on. The old way was to
      turn the floss around the hook which means, you are constantly
      changing hands. Changing hands exposes the floss to more chance
      of breaking filaments due to changing tension, rubbing against
      rough spots on fingers or, more chance for oil transfer.

      When using any multi strand floss, use only one of the strands.
      If you try using a bundle of strands, your floss will be lumpy
      and uneven. Not a real problem with fishing flies but terrible
      on presentation flies. If you are using a floss that is one
      strand but very thick, remove some of the filaments. It is easier
      to get a smooth floss body with a small floss rather than a big
      one. The guys at UNI-Products have just about the right number
      of filaments in their floss so, use it right off the spool.


      You may find a rayon floss made by DMC in craft or fabric stores
      and, it is pretty good too. It is a braided, multi strand floss
      so, you will have to separate the strands to use. Just make sure
      you get the rayon, not the cotton. Not every store carries the
      rayon so, you may have to look for it. YLI also makes a nice
      rayon multi strand floss that is in some fabric shops. It comes
      on 150 yard spools and has some nice colors. I have even used
      the rayon floss that curtain tassels are made from.

      Whatever floss you use, just follow the cautions I gave you and
      you will be fine.

      Thread

      The traditional thread that was used for Atlantic Salmon Flies
      was Silk. For those who tie the classic patterns in the traditional
      ways and with traditional methods, Silk is the only thread to use.
      I don’t generally tie to those standards so, I use modern threads.
      For most of my tying I use UNI-Thread 8/0. I find it to be strong
      and that with a little effort, it flattens out nicely. Every thread
      available to us is different and, like anything else Tyers grow to
      prefer one thread or another for their own reasons. Some threads
      behave different than others so, one may be better suited to lay
      flat or, another’s strength may allow a tighter turn around a
      material.

      One thing we will want to control while tying especially the
      fully dressed patterns is bulk and bumps. We try to tie these
      flies with a minimum number of turns and to keep the turns
      smooth. When using the larger Silk threads, the number of
      turns becomes critical to keep the bulk down. Keep in mind
      that we may be tying a dozen, two dozen or, more individual
      materials on at the head alone! You can see that thrifty use of
      turns becomes very important. That is one reason I prefer to
      use the 8/0 thread, I can secure the materials with multiple
      turns without adding bulk.

      I also usually use white thread when I am tying a pattern that
      incorporates a floss element. The floss will tend to be a little
      brighter and help them retain the color better when fished.

      Dubbing

      Dubbings were usually Seal, Pig’s wool, Sheep wool and a few
      more mundane natural furs. Here again, choices are many.
      Unfortunately here in the States, Seal, one of the early
      dubbings, is not legal but, there are good substitutes so,
      no real loss here.

      Toppings

      CASCADING CRESTS:

      Yes, curved Golden Pheasant crests are hard to come by.
      The more pronounced the natural curve, the rarer they are.
      I would guess, out of 100 ± GP heads, half or less are curved
      enough to be used on full feather wing flies. Out of all that
      I have ever seen, I have found only one head that has feathers
      that actually curve back on itself! I am saving those for the
      right flies. These figures are based on Golden Pheasant heads
      that I get that have already been selected especially for the
      Atlantics so, all are better than what most are in fly shops
      usually. The cascading crests are becoming very rare since they
      are from older birds. Most Goldens that I have seen have crests
      that tend to be straighter than curved. You can uncurve a feather
      and, make it cascade by knicking the shaft slightly but, it
      doesn’t seem to work when you try to curve a straight crest.
      You will end up with a curved shaft but straight barbs (not
      a desirable look). Also, the graceful curves of the cascading
      barbs we all like are not the norm either. The barbs lengthen
      with the birds age.

      You can see that there are a lot of factors that determine the
      “perfect” crest. Usually, on married wing flies, the wings are
      shaped such that you can use crests that are straighter. The p
      roblem with the full featherwing flies is that some of the feathers
      aren’t pointed on the ends so, If you want a topping and tail to
      meet, you must go well beyond the end of the wing with straighter
      crests than if you have curved ones.

      For some of my full featherwing flies that have feathers that
      simply won’t be accommodated by the toppings at hand, I simply
      don’t use a traditional topping! I will use a very short one
      just on the leading edge of the wing or, leave it off entirely.
      Sometimes, tying these types of flies, we have to let the feathers
      dictate some of the look of the fly rather than fighting it’s
      properties.

      Golden Pheasant heads/crests will almost certainly will come
      flat and, twisted. Wash them in warm soapy water and, let soak
      for half an hour, then dry with a hair dryer. You will be
      amazed at how much better they look and, how straight the
      crests will be.

      Head Cement

      For my fishing flies, I generally don’t use head cement. I
      use two whip finishes that are carefully laid down with five
      or more turns, side by side like wrapping a rod’s eyes and,
      one whip finish on top of the other. This traps the tag end
      under a broad base of thread. Of course, on small flies, five
      turns may be too many so, do as many as the head will permit.

      There are many cements on the market. For fishing flies that
      I do cement, I use either water based polyurethane or, fabric
      glue. The polyurethane can be had at any paint store or department
      for about ten dollars for a pint. Put some in your head cement
      jar and store the unused portion in a glass jar, the can will
      rust after opening. The fabric glue can be found in craft stores
      and is equally inexpensive. Both can be thinned with water but
      are waterproof when dry, the fabric glue is also flexible.

      On my display flies I usually use fingernail polish. I mostly
      use black, one or two thin coats followed with one or two clear
      coats.

      Gut

      The traditional blind eye hooks were used with a Silk Worm gut
      eye. The gut was/is made up of three strands (usually, although
      smaller flies can be two strand and large flies more than three)
      of gut that is softened by soaking in water then, it is twisted
      tightly and allowed to dry in it’s twisted and straightened
      shape. I use a variable speed drill to twist mine and tack
      the twisted gut to a board to dry.

      Gut eyes are not the strongest link to a fish so, Tyers today
      who wish to use blind eye hooks, use a number of synthetic
      materials such as Dacron fly line backing, twisted mono and
      others. Using blind eye hooks is said to give the fly a more
      “fluid” movement in the water. I don’t doubt that but have
      limited experience fishing blind eye flies so, any conclusion
      would be just a guess.

      You can buy gut either pre-twisted or, in single strand coils.
      It is really easy to twist so, the single strand gut makes
      more sense to me since it is generally cheaper per foot/inch.

      To form a gut eye, take about 1½" of gut and bend it around
      the tube of a bobbin, crimp the gut with your fingernail to
      make the gut look like a keyhole with an open end. Now, moisten
      the very ends of the gut and slightly chew the very ends to
      soften them and allow them to conform to the hook better
      when attached. Cut the three ends on each side of the loop
      at different lengths so when the eye is finished, the thread
      will taper nicely. Lay down a TIGHT thread base with round
      turns of thread (for a little better friction to hold the eye)
      starting from the front. Return the thread in open turns to
      just slightly behind the tip of the shank, hold the eye with
      the softened ends to the shank and in close, flat and, TIGHT
      turns of thread wrap to the rear of the gut eye. Tie off with
      two or three half hitches and cut thread leaving a very short
      tag end. Coat with head cement and, allow it to dry.

      If you are going to fish a gut eye fly, I suggest leaving the
      legs of the eye longer than I have described which is fine for
      display flies.

      Even on a thoroughly modern fly with a modern hook, a blind eye
      is a visual link to the flies of old. I think the old masters
      of the tying craft would like the fully dressed flies that
      Tyers are creating today.

      Happy Trails! ~ Ronn Lucas, Sr.

      Next time, the Hooks.


Originally published c. 2006 on Fly Anglers Online.


Part 2

The Hooks

We Tyers are lucky to be living when we do. There any number
of hooks available to us today that would have Tyers of a
hundred years ago dripping with envy. Our hooks come from
literally all points of the globe. We also live in a
technologically rich time when the science of metallurgy
and technical know-how to make modern hooks is at it’s peak.

Now, don’t get me wrong, the early hooks given the resources
the hook makers, had were marvels of their day too. Some were
even artworks in their own rights.

The Salmon hook was really refined in England more than any
other country. Yes, there were influences from other countries
such as Scotland, Ireland and, others but, England had some
of the premier hook makers up to this day. Partridge of Redditch
was one of the leaders in the Salmon hook business for many years
and, they brought us many shapes and size hooks that just weren’t
available from other makers.


Top to bottom, Lucas, Antique T E Pryce-Tannatt, Partridge Bartleet
CS10/3, Partridge Adlington & Hutchinson, Heritage, Partridge XL
Bartleet HE2

The O Mustad & Son hook company of Norway has also been in the
hook business for over 150 years. Theirs is the single largest
hook making operation in the world. A couple years ago, Mustad
purchased the Partridge Hook Company and have moved the hook
making operation to Asia and other parts of the world. Many
loyal users of Partridge hooks were not happy with this development.
Change is often a difficult thing to endure. I must say the hooks
made during the transitional period were somewhat disappointing
to this Tyer.

I can say that the current hooks from Partridge I have seen are
as good or better than the old ones ever were. Their finishes
which I found to be poor during the “dark days” are now excellent
and, the hooks are sharp. I hope they continue to bring us the
shapes and sizes of hooks for a long time to come.


Top to Bottom, Partridge CS14/1B, Partridge Bartleet CS10/1,
Mustad 80500BL, Mustad 36890.

There are other hooks coming out of Asia under different names
such as Tiemco, Daiichi and, others. Daiichi has some fine
Alex Jackson Salmon hooks that are a very handsome shape.

Heritage hooks are still produced in a shop in England and are
very nice for their blind eye display hooks. They also are good
for fishing of course. If you are tying display flies and want
an antique look to the flies, Heritage hooks are great. Castle
Arms imports these into the USA so, they are available.

This brings me to a fellow by the name of Ron Reinhold who has
a hook making shop in Williamsburg MI. I’ve not been fortunate
to have visited his place but, it must be fantastic. His hooks
are made from scratch, on machines he designed and built. The
hooks are hardened with precision so, they are good for display
or fishing (if you have deep pockets). He makes just about every
antique hook shape that was made, faithfully following every
curve and feature. He produces a couple grades of hooks, great
and, even better (my words)! Ron will even custom make hooks
for the customer! Of course, all this great service and, attention
to detail comes with a price. His hooks vary in price from rejects
(Still beautiful hooks!) for $5 each to $11 each for his traditional
style hooks and, up to $25 for exhibition grade hooks which are
flawless examples of hand made hooks.

To indicate how proud Ron is of his work, he signs and dates
the hooks (actually, the bag they come in). His display hooks
are placed in a nice wrapper like hooks of old.

The picture of Ron’s hooks don’t and, can’t show the details of
them due to the limitations of this media but, when you are
holding his hooks, the true beauty is abundantly clear. His hooks
have “soul.” By that, I mean, they have been crafted by someone
who knows what he is doing and, why he does it. It’s like a fly
tied by a Tyer who understands his/her materials, the insects,
the behavior of the fly in action and, why the fish will take it.
Do you get the impression that I am fond of Ron’s handiwork?


Daiichi Hooks from top, #2055 Alec Jackson Spey Fly Hook, gold finish,
#2091 Alec Jackson Blind Eye, #2161, #2271 Dee/Streamer, #2131
Bob Veverka’s “Classic Salmon Hook,” #2151, #2141.

Earlier I mentioned the beautiful Alec Jackson hooks that Daiichi
makes. They make many more Salmon/Steelhead hooks too. Most of
the designs are thoroughly contemporary in design and quality.
They also have a few other hooks suited to Salmon/Steelhead flies
that I have not listed. As is the case with just about every Asian
hook brand, Daiichi quality is high. I have used their hooks for
many years and have never been disappointed with their products.

If you happen to get terminally bitten by the display fly bug,
you may be one of those few Tyers that even go to the extremes
of making your own hooks! Some, myself included, take existing
hooks and reconfigure them to their personal needs. Some of the
challenges encountered are the re-hardening of the hooks assuming
you have heated them to soften the metal. The other is to put a
good durable finish on them that won’t chip.

If you take an existing eyed hook and just heat the area of the
eye to soften it for converting it to a blind eye hook, you can
probably get by using it for fishing if you wanted to although,
if you don’t reharden the now soft end of the hook, it will bend
easily. If you soften the whole hook as I often do, it is extremely
difficult to re-harden it without hard or soft spots so, these
are better left for framing.

Some Tyers will start their hook making from raw high carbon wire.
This means they will have to make a “knife” for cutting the barb,
forming the point taper the blind eye and, bend the hook.

There is a chapter about hook making by Eugene Sunday in Tying
the Classic Salmon Fly
in which he describes reconfiguring
hooks. There is also an article in the Summer 1998 issue of Fly
Tyer
written by John Betts. John takes the hook making from
the wire state and gives good info and photos on the subject.

Even if you have followed the instructions from one or both of
these authors, you still have the problem of finishing the hooks
you have just created. I could not get either of their finish
systems to work for me. That’s not to be taken as a knock on
their ways of dealing with finishing their hooks and, I am sure
they have it refined to a point that works great for them. But,
like many things in Tying, others techniques may not work for
someone else.

The system I find that works for me is as follows. Yes, I realize
it may not work for everyone but, after reading my way and those
of Eugene and John, you will have three perspectives from which
to develop one that’s your own.

I take the softened hook and straighten it with some very large
smooth face pliers I have only found at Sears in the tool section.
Sorry, don’t know what they are called. One pair is about a foot
long so it gives you tremendous leverage for straightening the
hook. In fact, you can even flatten a small wire with them! Rotate
the wire while squeezing to remove the bends. This will take a
little practice but, straightening the wire this way as opposed
to using a hammer and anvil will result in unmarred wire which
will require much less grinding to smooth out.

At this point, I have a straight hook. I use a very small grinding
wheel in one of my dental grinders to shape the hook point and
gutter. A variable speed Dremel grinder will work too. For
tapering the blind eye, I hold the straight wire in the jaws
of the pliers, which have a few serrations that go across the
face of the jaws just at the tips. I filed a couple grooves
slightly to accommodate the hook. Then, I hold the end of the
wire in the pliers in my left hand and, guide it past a 1" or
so barrel shaped grinding wheel while I rotate the wire. This
produces a perfectly shaped round blind eye. You need not
smooth this area. All the other finish work I do to the wire
is done lightly with a Scotch pad like grinding wheel. It’s
a grinding wheel that is made of compressed Scotch pad material.
You should be able to find these without too much trouble. Now,
I shape the hook. I started out doing it by hand and eye. This
will work but, you will not have really consistent results. I
have made a couple prototype bending jigs that work great and
every hook is like the last one. I haven’t had time to make
full sets of any of the hook shapes I like but, someday I
hope to be able to finish them.

Now, you have a hook ready to be finished. I tried all kinds
of different paint and finally found one that works for me. It
is High Temp Engine Enamel by Plasti-Coat. The black paint is
great, the colors are less than satisfactory sense all of them
turn brown when they are baked. I thin the paint at least 1 to1
with Ful-Base 441-20 Fast Reducer by Nason. This is a “hot”
commercial thinner that auto paint suppliers will have. I dip
the hook while holding the tip of the eye with forceps and hold
it far enough over a bunsen burner that it won’t catch on fire.
Yes, this is dangerous and you need to be very, very careful
if you go this way. A hair dryer will work too. The reason I
use dental grinders and bunsen burners is that I am a Dental
Technician , so I have these tools at my disposal. Anyway,
your hook may require two or three quick dipings and dryings
to get JUST ENOUGH to cover the metal. If it is too thick,
the hook will chip as the vise jaws compress it. As you dip
the hook, make sure the area of the barb doesn’t fill with
paint. You can clean it by touching with a pin or tooth pick
to wick the paint from the area.

Now, you need to bake the paint. I made a wire rack to hang
the hooks from while they are in the oven. I used " hardware
cloth for it but, sometimes, the galvanization will stick to
the paint. Not often though so, it is an option. I also made
a metal holder that has holes drilled to insert the eye into
while it is being baked. This seems a better solution since
the eye area can be painted later and most of it will be
covered by the dressing anyway. You can bake the hooks up
to 400 degrees F. The higher the temp, the less glossy the
finish will be. You can get a gloss finish at about 300
degrees but, it will be somewhat soft. The 400 degree temp
will give you a very hard surface. In any case, use these
hooks with some protection when they are in the jaws of your
vise. I use paper like cereal boxes are made of. Put the
non-glossy side to the paint and, clamp only hard enough
to hold the hook.

At one point, I thought I had found the holy grail of hook
making when I discovered some powder coat paint. The problem
was, it is nearly impossible to get a very thin coat by hand
dipping the hooks. It is hard stuff and is glossy and, has
a lot of colors. But, it just wasn’t to be.


Blind Eye Hooks by Ronn Lucas, Sr.

If you are tying flies to fish, the design of the hook
will be dictated by the type of fishing conditions you
will be using them under. If they are intended for display,
the design of the hook can play a major role in the finished
look of the fly.

Salmon/Steelhead hooks are typically up, loop eye and, black.
To be honest, I have never heard the definitive reasons for
this configuration other than, tradition. One thing most Tyers
agree on is that they look good and, lacking any reason not
to use them, we do. Spey and Dee flies were typically long
shank flies where as dry flies require a light wire hook.
I will leave the hook choice to you to determine to best
meet your particular requirements. Some of the following
patterns may be tied on hooks ill suited to your needs so,
just tie on the hook of choice.

One other note regarding hooks. The early hooks were made
without eyes and a Silk gut loop was tied to the hook. These
didn’t last long when the flies were in use. We still use this
type of hook for most display flies though. Some Tyers do use
flies with gut loops for fishing mostly I suppose to give them
a connection to the traditional ways. There is nothing wrong
with the traditional ways but, I encourage Tyers to
experiment and, break the rules to suit their needs and
preferences.

Happy Trails! ~ Ronn Lucas, Sr.

Next time, the Feathers.


Originally published c. 2006 on Fly Anglers Online.